Writing Essentials from Morgen Bailey

Morgen Bailey has interviewed and invited a number of writers to write guest blogs on her websites originating in the UK. Having hosted me several times, I’ve invited her to share with my readers.
American science-fiction novelist Jerry Pournell is reported to have said “I think it takes about a million words to make a writer. I mean that you’re going to throw away.” I started writing for fun seven years ago and more seriously four years ago and with three NaNoWriMo novels, one-and-a-half novels in between, three NaNoWriMo story collections (a cheat on doing a novel November 2011 but I still made the 50,000-word minimum), part of a script, some poetry and loads of short stories under my belt, including one and a bit 31-story collections for Story A Day May, I’m pretty sure I’ve reached that target. How much of them I’ve thrown away I couldn’t tell you but it’s only a fraction, and if like me, you’ve dabbled before really knuckling down, you’ll feel better for it. It’s all about practice. If someone sat you in front of a piano, would they expect you to play a concerto? Would you expect that of yourself?

In my experience too many novice writers worry about finding their ‘voice’ and understanding their ‘craft’ early on. It can be a long journey, perhaps not as long as a million words, but providing you write regularly (daily is the ideal but when does life afford that luxury, although 300 words equates to 100,000 words a year so a great incentive) you’ll get there… and here are a few basics to put in your suitcase:

  • Probably the most used phrase when teaching writing is ‘show don’t tell’. If you have a character who is angry for some reason, saying ‘Andy was angry’ is a classic example of ‘tell’. Simply put, you’re not showing us how. If you wrote ‘Andy slammed his fist onto the table’ you are.
  • Dialogue tags – it’s recommended that you can only go up to six pieces of dialogue (between no more than two people) without attributing it to someone. And there’s nothing wrong with ‘said’. Don’t be tempted to look at your thesaurus and say ‘Andy postulated’. You could also avoid tags by another character saying “Oh Andy, that’s…” or in the description; ‘Andy laughed. “That’s…”
  • Character names are important as we often get a sense of their personality by what they’re called. A Mavis is likely to be older than a Britney and would, usually, act differently. Avoid having names starting with the same letter; if you have a Todd talking to a Ted, the reader can easily get confused. Bill and Ted would be fine and as we know, they had a wonderful time back in the late 1980s.
  • I’m a big fan of repetition… of not doing it. Unless it’s ‘the’, ‘and’ etc, a word should only be repeated if the second instance is to emphasise or clarify the first. For example, ‘Andy sat in the car. He beeped the horn of the car.’ You don’t need ‘of the car’ because we already know he’s in the car. If you said ‘Andy sat in the car. He beeped the horn and the car shook’ that would be fine because you’re clarifying that it’s the car and not the horn (because it’s the last object you mentioned) that’s shaking.
  • Stephen King’s writing guide / autobiography ‘On writing’ has been the most suggested book in the interviews I’ve conducted. Amongst other things he’s notoriously against adverbs (‘ly’) and fair enough – in ‘completely dead’ you wouldn’t need the completely because dead says it all, and a character doesn’t need to be ‘sighing wearily’ because the sighing tells us enough, but adverbs are necessary in the right context. Again it’s all about clarification and fine-tuning.
  • Every word has to count; does it move the story along or tell us about your characters? If not, the chances are it can be chopped.
  • If you’re having trouble with a passage move on or leave it and return later with ‘fresh eyes’.
  • Read. It doesn’t matter whether it’s your genre or not (one of my Monday nighters writes amazing sci-fi but has never read a word of it) but reading will help you see how a story is structured and balanced between dialogue and description; short sentences speed the pace, long passages slow it down.
  • Join a writing group, get your work critiqued. Read your work out loud. It’s amazing what you’ll pick up when you hear it outside your head.
  • Subscribe to writing magazines, go to workshops, literary festivals. If you really want to write immerse yourself in all things literary.

 There are many more examples I could give you but all you need to remember is that it’s not about clever words (because that ends up becoming ‘purple prose’) but just getting pen to paper, or fingers to keyboard and having fun. When your characters take over (and they will) you’ll have the time of your life!

 Morgen Bailey

morgen@morgenbailey.com

http://morgenbailey.wordpress.com

http://icanbuildyourwritingblog.wordpress.com

About Morgen Bailey

Morgen Bailey (“Morgen with an E”) is a prolific blogger and freelance author of numerous short stories, novels, articles, has dabbled with poetry but admits that she doesn’t “get it”.

Host of the fortnightly Bailey’s Writing Tips audio podcast, she also belongs to three in-person writing groups (based in Northamptonshire, England) and is Chair of another which runs the annual HE Bates Short Story Competition.

Even her local British Red Cross volunteering is writing-related (she’s their ‘book lady’) and when walking her dog she’s often writing or editing. She also loves reading, though not as often as she’d like, but is spurred on by her new Kindle Touch.

Somewhere in between all that she writes a short story a week for online writing group Tuesday Tales and for the second time, a story a day during May for http://storyaday.org (last year’s becoming a 31-story eBook and will be doing so again with this new collection), although this year she plans to keep going and has created a new slot on her blog called 5PM Fiction.

Acutely aware of how important a writer’s online presence should be, she has recently set-up an inexpensive blog-creation service at http://icanbuildyourwritingblog.wordpress.com.

You can also read / download her eBooks (some free) at Smashwords, Sony Reader Store, Barnes & Noble, iTunes Bookstore, Kobo and Amazon, with her novels to follow. Being an advocate of second-person viewpoint, she also recently had a quirky story published in the charity anthology Telling Tales.

She has a writing-related forum and you can follow her on Twitter, friend on Facebook, like her Facebook Author Page, connect on LinkedIn, find on Tumblr, look at her photos on Flickr and join her every Sunday (8pm UK time) on Radio Litopia where she is a regular contributor.

Her blog, which like her, is consumed by everything writing-related, is http://morgenbailey.wordpress.com and she loves hearing from other writers and readers, who can comment on any of the blog’s posts, contact her via any of the above methods, complete her website’s Contact me page or plain and simple, email her.

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Learning Case Writing

I spent a week studying case writing at the Ivey School of Business in London, Ontario, Canada. Very interesting format to learn and a great intensive workshop taught by Professors Michiel R. Leenders and James A. Erskine who have collaborated on case writing and taught innumerable workshops for 30 years.

Case writing is about telling a story with facts. It is a different format than storytelling and it serves a purpose in that what you leave out is what you want others to figure out for themselves. The purpose of case writing is to educate students about business concepts, theories, and practices using actual events and figuring out how to solve dilemmas or how to figure out how to handle events from real life situations. Sometimes students figure out what they would do given the facts in play with a particular set of circumstances, and sometimes the student learns how the organization handled the situation, the decision, and the outcome.

It is a fascinating form of writing and I’m hoping to see how I can use tools fromThe Writer’s Compassto write better cases.